Occam's Razor Needs Sharpening

President Obama tells his French counterpart that the US is no longer spying on France after the latest Wikileaks revelations.  Sure we aren't. We continue, however, to spy on our own citizens.

• Newly discovered Australian mammal mates itself to death.  Kinda like most American males would, given the chance.

So the other day, we're out driving and what do we pass but a Jehovahs Witness center.  I've never seen one before in my life.  I decided it would only be fitting to knock on their door and ask them to have a conversation about the Flying Spaghetti Monster.  Don't you hate it when your wife won't let you out of the car? [which reminds me... I have to go shopping for just the right colander for my drivers license picture]

I collect interesting phrases that I have heard. Here are the latest:

• You steal one car and all of the sudden, you're a car thief.
• You've got to slide up and down on the hard thing,
• Let me show you my jetpack.
• Uh oh, the electric company is here - the power is going to go out.
• Please bring ant spray.
• I  love algebra.
• I have used algebra in real life.

Usually I come upon Stuff. Stupid Stuff that's so obvious that there's no way I could have thought of it. Today's example is headphones. I have to use headphones at work because I wouldn't want the wonderful music I listen to to grace the ears of my coworkers (pearls before swine and all that).  Guys - put on your headphones... you will gain greater perspective on your music - particularly the musicians. It's also easier to figure out how to play music by checking out what's in which ear.  leftystrat - Super Genius<TM Acme>. One song that will make your headphone-ensconced ears spin is Jeff Beck's Cause We've Ended as Lovers, with Max Middleton's stereo-panned Fender Rhodes electric piano.

• Remember how the USA Freedom Act was going to rein in the NSA? That act authorized a six month transition. When the title is Freedom, you're not getting Freedom.

This morning I heard about a big storm last night. The National Weather Service has been called in to figure out if there was a tornado.  Does this strike you as strange?  The weather is over; why do we need an organization to step in and potentially make it worse?  This reminds me of the Heat Index: it's 94 out today but with the Heat Index, it's 104. Do we really need to be more miserable?

• The country's first gay divorce law firm opened in... guess where.... Philadelphia!

WINDOWS 10 ALERT

Microsoft's latest piece of malware, Windows 10, has introduced at least ONE security problem, in addition to the usual backdoors.  Enabled by default is a feature called WiFi Sense, which shares your WiFi password/credentials with friends. As if this weren't enough, the credentials sit in an encrypted file on a Microsoft server. Gee, no chance of MS or other letter agencies accessing this, is there? Your contacts from Outlook.com, Skype, and/or Faceyspaces can be shared.

Allegedly, the service will only allow sharing of the internet connection, not your hard drive, internal network or anything connected to it. Here's another Gates-ian solution: in order to opt out, you need to RENAME YOUR WIRELESS NETWORK by appending _optout. Opt Out may not be instant and it is recommended to change your password in the meantime.

This is yet another hijack from our friends in Redmond. When they start affecting the name of your wireless network, it's time to take them to task. The Redmond Menace must be stopped.

Remember - this nonsense is enabled by default. DISable it if you must downgrade to Windows 10. Just because it's the latest and a free downgrade from Windows 7 does not mean you need to install it. Better yet, defect to linux (free) or the piece of fruit operating system ($$).

What Great Music Do You Have This Week, lefty?

Funny you should ask... I decided to go with a more mainstream artist, yet to retain that certain something for musicians. Yes, it's perennial favorite Peter Frampton. I have mentioned before that my first concert ever was Peter Frampton, fresh from one of the greatest selling live albums of all time, Frampton Comes Alive. It was at Philthydelphia Humongo Stadium, in the midst of about 100,000 other sweaty, polite bodies. Down on the field, there were no assigned seats, so we were free to worm our way up front to see Peter and various other acts, like Lynyrd Skynrd and maybe Fleetwood Mac (with Stevie Nicks, when she was every guy's wet dream and every girl's fashion plate).

Philthydelphia Humongo Stadium was eventually razed, so the state's taxpayers could provide Corporate Welfare to fabulously wealthy sports team owners. This largesse provided for three stadiums in the state of PA.

Peter had some great albums (the black spinny things that you scratched up with a needle that required the hands of a skilled surgeon to manipulate), namely the ones that produced the songs that made up Frampton Comes Alive. My favorite album is called [wait for it....] Frampton and contains the studio versions of Baby I Love Your Way, Penny for Your Thoughts, (I'll Give You) Money, Nassau and Show Me The Way. Give it a listen - there's some great stuff there, which might be a pleasant surprise.

Mr. Frampton made the Talkbox popular (Show Me the Way, Do You Feel Like I Do?) and I had to get one. Incidentally, the golden-haired idol of millions has turned into a Bald Old Dude (like me) who continues to get better at the guitar and entertaining crowds (unlike me). Try to see him when he's touring, which he does frequently.

The Perils of Home Recording

A long long time ago, in a musical comedy galaxy far far away, three guys got together to perform song parodies.  They weren't exactly a band and they weren't exactly a comedy act.  In fact, they defied categorization.  But they were pretty funny.

Way back then, if you wanted to do song parodies, you needed a bunch of talented musicians, a recording studio and a talented engineer.  Having very few of these, the guys decided to buy the remnants of a recording studio where they recorded their previous output.

The equipment was large.  It took up the better part of a bedroom.  It cost an exorbitant amount. The mixing board was so heavy it took five people to move it.  The reel to reel tape deck used half inch tape and recorded up to eight tracks; more than the Beatles had at their disposal during the early years.

It's been many years since the purchase of all that gear.  It still resides at various houses, in various states of disrepair.  We stopped recording and doing comedy because the market went to hell.

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An opportunity came up recently to 'put the band back together', as it were.  A rocker is having a party and we were going to submit a tribute in the form of a parody.  This would take place over two nights; a writing night and a recording night.

Writing went well, which left recording.  One of us went out and purchased an all-in-one recording device a few years back.  This one device, somewhat larger than a briefcase, replaced every piece of equipment in our former studio, plus it gave us more tracks and effects.  You could carry it under one arm (ain't technology grand?).  Again, we had more horsepower than the Beatles did during the greater portion of their recording career.  But let's face it - we were no Beatles.

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Recording night came around quickly.  The only problem with the recording device was that no one had the faintest idea how to operate the thing.  Back in our recording days, we had no internet and few places to turn for help.  Now we're in the twenty first century and it's all about the internet.  A short search turned up the manual download for the recording device and it was downloaded.  I studied the manual valiantly, hoping I'd retain the information when the time came.  Of course, anything having to do with retention is pretty funny in my case.  I have the attention span of a pregnant gnat and the retention of a two-year old (on a good day).

We set up in my living room, as that was the single patch of floor available in the house.  We're not going to be featured on an episode of Hoarders but we're headed in that direction.  As I mentioned, the original studio took up an entire room and was soundproofed.  The living room... well... not so much.  Plus we had a lot of assistance, in the form of a wife and a particularly precocious spaniel.  We have no idea how large a place they would have in the session until shortly after we started.

The first order of business was to get backing instrumental tracks onto the recorder.  This being 2014, the tracks were streaming through an iPhone (not mine, of course - I use android).  We set up the system and got right to recording.  When I say got right to recording, I mean we had to send someone to Radio Shack (you've got questions, we have silly looks).  Twenty dollars and thirty minutes later, we had enough cabling to tie the lot of us up and send a signal from the iPhone to the recorder.

About thirty seconds into recording, the iPhone went off, totally scrubbing the take.  No problem.  A little laughter and a reset later, we were off to Take Two.  A minute later, the iPhone rang again.  I looked at the iPhone owner and told him, in my best superior voice, that an android phone wouldn't keep ringing in the middle of a recording (untrue, but makes a great story).

The iPhone owner suggested Airplane Mode but let's face it - that would kill the streaming.  So he turned off all of his notifications, buzzers and bleeps.  

Take Three: this time the phone waited two whole minutes before the text message came in.  Apparently he hadn't turned off all of his buzzers.  Take Four finally made it through the recording maze without any interruptions.  We were so happy, the singer tripped over his own headphone wire and fell down, pulling the cable out of the headphones.  Fortunately for him, Koss made his headphones with a plug on both ends of the cable, so no damage was done.  This was a happy accident, like the fact that every appliance maker puts out devices that turn themselves off automatically (or my house would have burned down years ago).

Next it was time to record the vocals.  We got all set up, hit Record and got right to it.  At precisely this moment, my wife went outside for a cigarette.  First there was the terrible screech of the door opening. Then the grating sound of the sleigh bells that she put on the door for notification purposes.

Take Two went swimmingly until the moment the singer looked odd and kept pointing downwards. Apparently the dog had taken the opportunity to eat some of his crunchy food, five feet from the microphone.

Take Three sounded really good until my wife got up and went into the kitchen to wash some dishes. This was compounded by her Mobile Percussion Instrument (the sixteen bracelets she wears on one arm, that jangle horribly whenever she moves).

We were starting to miss our very old technology, as well as the soundproofed room at about this time. It became necessary to explain recording and the concept of SILENCE to the wife (insert wife joke here).

Take Four was pretty successful, if you don't count the ridiculous display of thrashing about and groaning really loudly from the local fuzzy spaniel, who was sitting in someone's chair at the moment.  Fortunately it was far enough from the mic that it didn't get onto the recording.  Twenty years from now,  someone will pull up the vocal track to this song, isolate it and will hear all sorts of Doggy Orgasm noises competing with the singer.

Take Five went well.  No, really... it was a keeper.

Take Six was only interrupted by the dog again; this time slurping water from his bowl.

We were one minute from sending the dog AND the wife upstairs with some crayons to keep them busy for a while.  We were not beyond welding doors shut.

An hour later, with no falling, Doggus Interruptus or Wifus Car-Revving Noises, we had a semi-professionally produced song, ready for sending.  The recorder had a built-in cd burner, so I burned a few copies, after consulting the manual.  What the manual also mentioned, many pages later, was that you had to first burn the disc, then finalize the disk.  It was intuitive (assuming you designed the device and wrote the manual for it).

Which is how I engineered the most recent parody that's going to make some serious noise.

The recorder is now old school... the new ones are all computer and software based. Sometimes I miss  playing and recording.  Then I remember the smelly, dingy bars and too many takes of one track and sometimes I don't miss it at all.